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Broadcasts were originally dedicated to 6 kc in all cities, and all regular broadcast stations (AM, FM and TV) were to go silent when threatening information was aired.EBS replaced CONELRAD in 1963, and EAS replaced EBS in 1997.

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Whether you knock AM radio today for its relentless static or its lack of music, this is where it all began.

The early 20th century brought the first radio stations to the Dallas-Fort Worth area: KFJZ (with roots dating back to 1917,) WRR (in 1920,) WPA, WBAP and WFAA (all in 1922,) and the rest is history (well, almost!

Laura Schlessinger (via satellite, began 1/7/2002,) Neal Boortz, Leon Simon, Chris Myers, Darrell Ankarlo, Ed Budanauro, Ron De Roxtra (known as Ron Barr during his ten years at KRLD-AM,) John Shomby (1993,) Tim Vasquez (traffic,) Bill Jackson (traffic, 2005-present,) Jim Reeves, Steve Coryell, Brian Wilson. KLDD was to have become DFW's first all-sports station in 1/1990 when sister KZEW's format changed; but management decided otherwise. Original personalities for the station were drawn from columnists and editors at sister "Dallas Morning News." The phrase, "Shut 'er down, Eddie! Programs: "Early Birds" (premiered 3/31/1930; hosted by John Allen with entertainment by Lynn Hoyt, Katy Prince, Frances Beasley, Terry Lea, Louise Mackey and Dale Evans [yes, THE Dale Evans!

Special thanks to Susquehanna senior VP Dan Halyburton for providing me with a copy of the book, "Susquehanna Radio: The First Fifty Years," which provided otherwise unfindable answers to the history of post-Mc Lendon KLIF and Susquehanna's presence in the DFW market...thanks, Dan! Station retained the KLDD call letters with the new simulcasted "Warm" format until 1/9/1990 (the temporary legal ID was a mouthful..."The new Warm, 97.9FM... First AM station in DFW to broadcast in AM Stereo (C-QUAM.) First station in US to be programmed with classic rock. Pre-Roy Rogers, she was married to piano player Frank Butts]), "Hymns We Love" (began in 1952 and moved to KAAM-1310 years later,) "Dramatic Moments in Texas History," "Cadenza" (1940s,) "Radio Frolics" (late 1940s; hosted by Norvell Slater and Dorothy Bell,) "Midnight Nostalgia" (1/27/1974-4/7/1974,) "57 Nostalgia Place" (4/14/1974-10/31/1976,) "Reuben's Record Room," "Farm Report," "Melodic Living," "At Issue" (audience-participation show, began 11/1975,) "Musical Party Line," "Hogan's Hall of Hits," "The Ted Cassidy Show," "Behind the News" (1950-1960,) "Ed Busch Show," "Man Around the House," "Saturday Night Shindig" (began 1944,) "Texans-Let's Talk Texas Hour," "Quiz of Two Cities," "Herb Jepko Nitecap Show" (syndicated,) "Hotline," "Carnival of Music," "Football Scoreboard," "Sports Review" (began 7/5/1948,) "Business News," "Hackberry Hotel" (featuring "Hack Berry," and "Little Willie," played by Ben Mc Clesky," "Saturday Night Shindig," "Mrs.

The invention of the transistor, and subsequently the development of lightweight, portable radios, along with the inclusion of radios in cars, helped the reinvented band find a new audience with people on the go.

Mc Lendon and Todd Storz's simultaneous discovery of the "Top 40" in the 1950s gave radio a special popularity among the younger generation, and his KLIF, along with KBOX and KFJZ, developed formats to capitalize on current music, especially rock and roll.

) AM started out as a freewheeling, 'throw up a transmitter and go with it' gamut of radio waves in its earliest days, with a couple of assigned frequencies (833 kc [primarily news and weather] and 618.6 kc [primarily music.]) and virtually no rules to allow a fair distribution of the dial for broadcasters.

(By mid-1922, all five DFW stations agreed to a timesharing plan on each frequency.) November 11, 1928 was declared "National Frequency Allocation Day," when the Federal Radio Commission (FRC, predecessor to the FCC) brought organization to the dial by assigning dedicated frequencies to the strongest stations, and culling out many of the small-time opportunists who weren't serious about broadcasting.

AM's popularity and far-reaching capabilities were used by the government to launch a civil defense system, CONELRAD ("CONtrol of ELectromagnetic RADiation,") the forerunner of the Emergency Broadcast System (now Emergency Alert System,) in 1951.

(WRR engineer Rick Teddlie co-created the CONELRAD system.) While the nuclear threat of the Cold War prompted the dedication of a national broadcast frequency, it wasn't until 1958 that the system was first used for weather alerts.

This would allow new investors to start new stations from scratch (as the pool of available frequencies was quickly drying up) and would permit existing restricted-signal stations to move into an uncrowded part of the band and beef up their coverage area.

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