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The opposite usually ends with Old Media Playing Catch-Up.

The inversion of this trope, when new media develop a similar attitude toward the old boys' club, is Old Media Are Evil. "The hi-tech campaign to relocate books to Google and replace books with Kindles is, in its essence, a deportation of the literary culture to a kind of easily monitored concentration camp of ideas, where every examination of a text leaves behind a trail, a record, so that curiosity is also tinged with a sense of disquieting fear that some day someone in authority will know that one had read a particular book or essay.

Writing itself was hugely suspicious for example, as people feared, that it would cripple the ability to memorise things, as this was now no longer needed as everything could be written down. New media do change old media, sometimes for a net loss of quality in art or information.

Most often, though, the new medium allows a new freedom from the old medium that makes for more opportunity.

Almost every new medium of communication or expression that has appeared since the dawn of history has been accompanied by doomsayers and critics who have confidently predicted that it would bring about The End of the World as We Know It by weakening the brain or polluting our precious bodily fluids.

The same thing has happened to basically every type of media in history, making this trope as old as mankind itself.

The motivation to demonize a medium can go much deeper than the desire of the media itself to make headlines.

In our giant, pan-corporate world, there's a good chance that some news outlets are owned by a guy who owns a major recording label.

This death of intellectual privacy was also a dream of the Nazis.

And when I hear the term Kindle, I think not of imaginations fired but of crematoria lit." "No doubt of that," replied Don Quixote; "but it often happens that those who have acquired and attained a well-deserved reputation by their writings, lose it entirely, or damage it in some degree, when they give them to the press." "The reason of that," said Samson, "is, that as printed works are examined leisurely, their faults are easily seen; and the greater the fame of the writer, the more closely are they scrutinised.

All of a sudden HQ's interest in stories about devious pirating activities becomes quite noticeable.

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